I have been reliably informed that this
did not arrive in the mail today.
Let's get cracking, people. It's not like I'm asking for naked pictures of Bea Arthur or something difficult like that.
From the East:
And then there is the interior:
Now for the frescoes:
This one is a closeup of the above, and depicts Justinian (left) presenting Hagia Sophia to the Infant Christ and the Virgin, and Constantine (right) presenting Constantinople to them.
Next is a depiction of the Emperor John II Komnenos (Comnenus) (reigned 1118-1143) and his wife, the Empress Irene. John was beloved by his subjects and called "the Good." He never had anyone tortured or mutilated during his reign, which included a coup attempt at its very beginning by his elder sister, Anna (the famous historian and author of The Alexiad). It is suspected that Anna's reluctant husband, Nikephoros Bryennios, who was expected to be emperor if the plot succeeded, warned John. By the standards of the time, he was very lenient, merely sending the plotters off to a semi-comfortable banishment and confiscating their property. Moreover, he enjoyed several military successes, pushing back the Seljuk Turks and recovering territory lost to the Turks during the previous century. He and his wife also founded a large modern hospital for the poor in Constantinople:
Sts. John Chrysostom and Ignatius of Antioch, respectively:
More incurable Byzantinophilia to come. [All links except the first via the magnificent website of the Ecumenical Patriarchate of Constantinople.]
Now, the idea that Mr. Brown's mother could suck-start a leafblower will prove controversial, and no doubt the Browns might possibly take offense. However, (1) it's just fiction, and (2) DT was a revolutionary film with a resonating impact on culture, which continues to echo in the so-called "culture wars" of today, making these important ideas worth discussing. It is safe to say that the discussion generated will be fascinating, as will be the input of scholars of both print and film.
I look forward to your response.
Very truly yours,
Dale Black [pen name]
Yep, the mural even has the priest raising the crucifix as the Poles send Tukhachevsky's Red hordes into pell-mell retreat. Apparently, it wasn't quite triumphant enough for the exultant parishoners, who prevailed upon the artist to make it obvious that the Polish biplane was strafing the Russians.
I'll see you your Santiago Matamoros, and raise you the Miracle at the Vistula. Make sure you stop by to see St. Josaphat when you are in town.
The bloodlust in revolutionary civil wars stems from the apocalyptic nature of such contests, the attempt on each side to create a new socie...